Babies In The Bardo Bloomington, Indiana
Babies In The Bardo is Jonathan Carrithers Richardson.
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supported by 21 fans who also own “Frontier Becomes A Border”
Gloomy post-punk with a strong artistic identity. Excellent command of a somewhat minimalist musical approach based on a foundation of stomping drums, full-tone picked J-bass, and shimmering guitar lines. Scott's distinctive and expressive vocals are a highlight.
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The Upstairs Museum
by Swan Wash
supported by 20 fans who also own “Frontier Becomes A Border”
Dark Water is fucking amazing a post-punk fever dream of Joy Division, Wire, and that still punkish early Siouxsie/Cure sound.
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supported by 16 fans who also own “Frontier Becomes A Border”
An interesting pre-Swan Wash document, Day Room foreshadows much of that band's sound (Anxiety can be seen again in Tavel's Gavel) but also holds its own very well, establishing itself as dark new wave and holding true to this throughout the album. Also, it's quite relaxing music!
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The Boston lo-fi psych-pop artist goes full dark synth on this immersive and catchy new release.
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The London indie group's debut "mini-album" is filled with self-described oddball pop tracks.
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Expansive shoegaze with a strong sense of grandeur and drama, new on Holodeck.
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supported by 9 fans who also own “Frontier Becomes A Border”
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